Movement | Original orchestration | Added title |
O Canto do Capadocio | cello & piano | Prelude |
O Canto da Nossa Terra | cello & piano | Aria |
Lembrança do Sertão | piano solo | Dansa |
O trenzinho do Caipira | cello & piano | Toccata |
Go to YouTube for a video of a performance of the cello & piano version of the last movement by cellist David Chew and pianist Miriam Braga.
The final movement depicts a train in the backwoods. It's always been a popular piece; it's become a kind of national song. I remember reading that Walt Disney considered this piece for a segment of Fantasia - it would have been great. I'll track down that reference and add it here. [Here it is!]
"As to Villa-Lobos, he is well worth a trip to Rio to see. In fact, he is becoming a sort of national monument, visited by every newcomer. Walt Disney, during his South American journey, looked up Villa-Lobos for some music for his second Fantasia. He listened to records of Villa-Lobos and picked up a Bachiana Brasileira, one of the five suites Villa-Lobos wrote to express the spirit of Bach through the medium of Brazilian folk song. Disney thought the music would be very good for an animated adventure of a choo-choo train." - Nicolas Slonimsky, "Heitor Villa-Lobos: A Visit", Musical America, Oct. 10, 1941
Michael Round discusses the term "Capadocio" from the first movement. He says it "...is not a 'Countryman' but a Teddy-boy or layabout..." (Tempo, New Series, No. 169, 50th Anniversary 1939-1989 (Jun., 1989), p. 39). I've read the Wikipedia article on Teddy-boys, and I'm not sure I really understand what they are, but I get Round's point that this movement should have a bit of an edge to it. This is a very illuminating article, by the way. Anyone involved in a performance of any Bachianas should read it carefully.
Thesis: Heller, Alfred. 1974. A conductor's guide to Villa-Lobos's Bachianas brasileiras, numbers two, three, and eight. Document (DM)--Indiana University.
The work is for "chamber orchestra", but with a large percussion component.
flute | oboe | clarinet | tenor saxophone |
contrabassoon | bassoon | 2 trumpets | horn |
timpani | chocalhos | reco-reco | triangle |
cymbals | ganza | pandeiro | bombo |
matraca | celesta | piano | strings |
There's a version of this piece for cello & piano (W568). Also a version of the 3rd movement Lembrança do Sertão for solo piano.
This comprehensive listing of Bachianas Brasileiras scores from the Major Orchestra Librarians' Association website contains lots of useful information. | |
Bachianas Brasileiras No. 2 Full Score. By Hector Villa-Lobos. (score). Study Score. 88 pages. Published by Associated. (50076880) See more info... |
Villa-Lobos arranged the third movement of BB#2 for piano. It's included in this new book from Brazil:
Villa-Lobos, Heitor, Antônio Carlos Neves Campos, Marcos Roque, Heitor Villa-Lobos, Heitor Villa-Lobos, and Heitor Villa-Lobos. 2009. O piano e as bachianas. Rio de Janeiro: Irmãos Vitale.
The version for cello & piano (W568):
And an arrangement for saxophone quintet:
Recordings of the piano version of the 3rd movement Lembrança do Sertão are here
Here's a complete list of performances of BB#2 from the HVL Concert Calendar database (more than 100 as of September 2010).